Beauty has nothing to do with perfection, but with charisma. But how do you make them visible? Who could explain this better than a beauty photographer- VOGUE shows the most beautiful pictures of Daniela Glunz
Beauty routes are often said to be perfection. There is talk of unachievable models of beauty, of shifted body perceptions. Nevertheless, we lose ourselves in the breathtaking pulling effect of the pictures as in hardly anything else. But what fascinates us so? When you ask beauty photographers at the sets, it is just not the much-discussed perfection. They say faces must be a bit imperfect to be beautiful. Yes, perfection takes the recordings of the soul. The true fascination is the inner beauty. But whoever wants to make his inner beauty shine like on a high-gloss beauty shot, should know what process makes it visible. The answer from the Hamburg beauty photographer Daniela Glunz: positive emotions, body control, open laughter and a photographer with the feeling for the perfect moment.
Vogue.Com: Are Your Pictures Beautiful?
Daniela Glunz: I think something is beautiful for me when it triggers a good feeling in me. I am happy when I have a good picture. This positive emotion is probably beauty, because the picture itself does not necessarily have to be beautiful. For me, a good photograph is one that I am stuck on, I want to look at it, because the expression, the statement or the composition is interesting. Beauty does not have much to do.
Vogue.Com: What Is Beauty For You?
Daniela Glunz: First of all, a face must be interesting, beauty radiates out of a human being. It is not a purely optical criterion, but has something to do with inner beauty and with respect to photography something with body domination, the moment and expression.
Vogue.Com: How To Make Inner Beauty Visible In A Photo?
Daniela Glunz: For me a relaxed atmosphere is very important, I like to be friendly and do not have much of a tense mood on the set. Those who laugh more often just look better, and an honest laugh between them can produce miracles, even if it is a dramatic motive.
Vogue.Com: So That Has Nothing To Do With The Much Discussed Perfection?
Daniela Glunz: I’m not sure if there is the perfect picture at all, I can at most judge whether I like it or not. In the case of a portrait or a fashion shot, I pay attention to the body language and expression, and in a close-up I prefer the correct angle and the composition of color and form. The process itself, the photographing, consists almost only of intuition, and you must be able to react quickly if you really want to make authentic recordings. The reaction “trigger” to the (perhaps) perfect moment could be compared with a hunt for a true look at the soul of a person, a coherent composition or an absorbing expression.
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